Dream Theater Frequently Asked Questionsmaintained by Pat GriffinLast updated 2 April 2000 -------------------------------------------- vvvvv vvvv vvvvvvvvvvvvv vvvv vvvv v vvvv vv v v v v v vv v v v v v v v v v vv v vv v v vv v v v v v v v vv vvvv v v v vvvv vvvv vvvvvvvvvvvvv vvvv vvvvv ___ _ __ ___ _ ___ _ _ | \| >|_ /\ |\/| | |_||_ /\ | |_ | > _|_/| \|_/ \| | | | ||_/ \ | |_ | \ --------------------------------------------
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Notice
This incarnation of the Dream Theater FAQ is no longer maintained. It has changed hands and evolved several times. As of this writing, the current version is at faq.dtnorway.com. For nostalgia purposes, and since this is the only archive I am aware of of the DT FAQ April Fool's bait and switches over the years, I will be leaving this version up indefinitely. However, if you are looking for any Dream Theater news since the turn of the millennium, you really should be checking the current FAQ, or the band's website at www.dreamtheater.net. I have removed all email addresses from the document, as most of them were dead accounts anyway. While reading this, please remember it is over a decade old; Some of the information regarding groups (such as the mailing list, fan clubs, and other resources) is likely to be outdated or to point to sites which are no longer available. -- Pat Griffin, 11/30/2011
Please note that the current main location for The Official Dream Theater FAQ is: If you have reached this document from another location or another site, please click on the above link and bookmark that location to ensure that you always have the most recent edition of the FAQ available. This FAQ is maintained by one person, but it is supported by the entire Ytsejam Mailing List, and thanks to Mike Portnoy, the band itself. If you have any questions that are not covered by the FAQ, feel free to email me, and I will answer to the best of my ability, or point you to a source that can. Please remember that the transcriptions of the samples will be handled in the Dream Theater Songbook. The FAQ will only address questions concerning the sources of the samples. The purpose of this document is to answer questions that are 'frequently asked' by Dream Theater fans, as well as provide information that you may have otherwise not known. The FAQ will avoid rumors as often as possible, and attempt to only offer the facts. For up to the minute news surrounding the band, consult the Official Dream Theater website, Mark Bredius' "Under a Cyber Moon" at http://www.dreamtheater.net/ As information becomes more solid, and more questions are asked, it will be added to the FAQ. In the meantime, the website is the source for news, tour dates, album and side project info, and other details. Together, the Official Website and the FAQ should provide Dream Theater fans everywhere will all the news they need.
Changes since last update
Previous changes
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Please note that the current main location for The Official Dream Theater FAQ is:
If you have reached this document from another location or another site, please click on the above link and bookmark that location to ensure that you always have the most recent edition of the FAQ available. The mirror sites for the FAQ are being worked on, and are not available in this release. If you would like to be an official mirror site for the FAQ, email me. Also, I received email from someone interested in translating the FAQ to Portuguese. If you think that language translations of the FAQ would be worthwhile, or you are willing to translate the FAQ to another language, email me about it.
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Many thanks to the following for their additions, corrections, and advice:
Also, thanks to Irene, Roland, and Mountain Dew for always being there. Extra thanks to Jason Skewes for keeping this list in such great shape for so long. Extra huge colossal thanks to Mike Portnoy for "taking the time" to make sure everything here is accurate. And, finally, thanks to all the subscribers of the Ytsejam Mailing List for their eternal vigilance, and the regulars of #ytsejam for often reminding me where I can place my opinions. :)
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Abbreviations you should know:
Non-DT abbreviations you should know:
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Current Dream Theater Personnel
Former Dream Theater Personnel
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CONTENTS
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0. Frequently Changing Information0.1
Dream Theater made fans' dreams come true with the October 26th, 1999 release of Metropolis Part 2 -- Scenes From a Memory. The long awaited sequel to the masterpiece from Images and Words swelled from a roughly 26 minute song into a full length concept album. The question that remains now is: "Will Fates Warning attempt to top DT with one eight hour song on DVD-Audio?" | ||||
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1. Dream Theater Resources1.1 Where is the Dream Theater Discography?The Complete Dream Theater Discography is currently out of date. You can find it at: http://www.dreamtheater.net/discoold.htmAlternately, you can check out more recent discographies maintained by Mark Bredius at http://www.dreamtheater.net/discog.htm
1.2 Where is the Dream Theater Tourography?The Tourography is a monster list of past DT tour dates, venues and other information. It is maintained by Nick "Bogie" Bogovich, and can be found at http://dreamtheater.mit.edu/
1.3 Where is the Dream Theater Bootleg List?The Dream Theater Bootleg List is maintained by Michael Burstin. It can be found at:
WWW: It is also out of date, and far from complete, but it does not attempt to list every bootleg (which would be near impossible), but only the ones that are truly worth getting or desperately avoiding.
1.4 Where can I find lyrics to _____?Lyric listings are maintained by Michael Kizer. This "Unofficial" Dream Theater Songbook is available at:Or by e-mail from the Ytsejam Mailing List Archive by sending mail to [removed]. The subject of this e-mail should be "asdf" and the body should say "get ytsejam dt_songbook.txt". However, this version may not be as recent as Kizer's.
1.5 Are there Dream Theater web pages?Eric Moegling has set up a Webring of Dream Theater pages, called Lifting Shadows Off A Ring. The home page for the ring is at http://www.wezl.org/lift/. There you can find links to many different Dream Theater pages, as well as add yourself to the webring to make your DT page easier to find.
1.6 Is there a Dream Theater Mailing List?Yes, there is. You can join the Ytsejam Mailing list by sending the following message:
To: [removed, list no longer active] replacing 'Your Name' with your name. The default is for the digest form of the mailing list - so if you would rather receive each individual post - then send: To: [removed, list no longer active] NOTE: Do NOT send this request until you have received a confirmation stating that you have been added to the list! To post to Ytsejam, address your e-mail to [removed, list no longer active]. To unsubscribe, send:
To: [removed, list no longer active] You should receive notification within 2 hours. If you have any problems please e-mail [removed, list no longer active] and a human will help you. If a human is unavailable, then Skadz will help you. For other information on the Ytsejam mailing list (such as how to get tour dates, this FAQ and other DT files via e-mail), send:
To: [removed, list no longer active] You should receive the information file within two hours.
1.7 Is there any other way to get Ytsejam back issues?Yes, now you can find them at ftp://www.dreamt.org/pub/ytsejam/ Skadz promises to have a better interface for it eventually.
1.8 Is there a Dream Theater IRC channel?Ryan Skadberg maintains an Internet Relay Chat server specifically for the Dream Theater Chat Channel. The server is at irc.dreamt.org, port 2112, and the channel is called #ytsejam. To log on from most systems, use these commands:
/server irc.dreamt.org 2112 If you have a Unix account on a provider or through your school, you should be able to access IRC with: % irc ________ irc.dreamt.org:2112 --And fill in the blank with the IRC nickname you'd like to use. If this doesn't work, it's possible your school or provider doesn't provide IRC service. There are also alternates to irc.dreamt.org. If you have having trouble getting on, you can use:
If for some reason all of the normal servers are down, irc.rocknet.com port 6667 is used as a backup server. The DT chatroom is #ytsejam on all servers. If you want to know more about the people on IRC, check out the #ytsejam IRC Page maintained by Irene Raceu at http://www.gabbo.net/dt/irc/
1.9
The information here is correct at the time of the last update, but you should always check the official site for any address or payment method changes before you send any money: |
More info about Fan Clubs? |
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If you have additional info about these or other DT Fan Clubs -- especially if this info is outdated -- send email to [removed] |
Their first efforts at getting material down on tape were called the Majesty Demos. Ineffective singer Chris Collins did the vocals on eight very progressive-sounding tracks. In March 1986 the Majesty demos were finished. 1000 copies sold within six months. Bootleg CDs of the Majesty demos continue to sell even today.
That November, Chris left the band, as he was a mismatch all along. A year went by without a singer and without a record deal, and more demos were cut. Instrumental versions of the songs we now know as "Afterlife," "Ytse Jam," and "The Killing Hand" were among them.
In November of 1987 vocalist Charlie Dominici joined the band and a record was finally cut on the Mechanic label. This is when the issue of the name nearly stopped Dream Theater before they started. A Las Vegas band called Majesty forced a name change, and DT considered several different possibilities. Glasser, Mi and Magus, and the like were tossed about and rejected. Mike Portnoy's father Howard suggested they use the name of a California movie theater, and the name Dream Theater was chosen.
DT quickly found out that Mechanic could not effectively promote their record or finance the tour they needed in order to promote it on their own, so they left the label. Charlie was fired because he didn't have DT's progressive plans on his agenda, and he had always been weak in a live setting. Time went by... a LOT of time.
Finally, in late 1991, Kevin James LaBrie of Winter Rose beat out fellow throats John Arch (ex-Fates Warning), Steve Stone, Chris Cintron, and John Hendricks for the vocalist spot. His audition was fantastic and an apt indicator of the future potential of DT, as he sang his way through an acoustic "To Live Forever," and demo tapes of "Learning to Live" and "Take The Time."
EastWest records, then ATCO Atlantic, signed DT and they cut the record Images And Words. Radio picked up on the opening track, "Pull Me Under," and IAW slowly started accumulating sales. DT began to field an obsessive and musically-inclined fan base who had been disappointed by late-80's and early-90's glam and grunge, and had held onto their Rush, Yes, and Floyd records, hoping for the day when another such band would come about. The band cut a video for "Pull Me Under" and it actually got rotation on MTV... a small miracle in itself. Two more videos were cut, "Another Day" and "Take The Time," and the latter got marginal airplay.
By halfway through the Music In Progress Tour '93, IAW was selling lots of copies and several cuts from it were gaining heavy airplay, as well as kindling a deep-seeded fan interest in unreleased recordings and bootlegs. Import shipments of When Dream And Day Unite sold quickly. Dream Theater cut a live EP in April 1993 called Live at the Marquee. Later that year, a live video called Live in Tokyo (sometimes titled "Music in Progress') was released. Still, the fans of DT needed more. Throughout the spring and summer of 1994, there was a veritable explosion of available bootlegs and rarities. IAW went gold in January of 1995.
DT took their own time, so to speak, in writing and recording Awake, their third studio album. It was recorded between May and July 1994 and was released on October 4, 1994. It was during this time that the sky itself fell on Dream Theater.
On August 1st, 1994 Kevin Moore decided to leave the band to pursue his own musical interests. On August 8th, 1994 the split was made final by a press release issued from Dream Theater's management. Several possible replacements were tossed about. Jens Johansson auditioned for the spot. Jordan Rudess played a gig with them but then left to play for the Dixie Dregs. Derek Sherinian, formerly of Kiss and Alice Cooper, stepped in and played with the band on the Awake tour. Derek was announced as an 'official' member during the last few shows of Dream Theater's 1995 European tour.
Dream Theater reunited with IAW producer David Prater and entered the studio in April of 1995 to record their 23-minute epic "A Change Of Seasons". Several tracks from the Ronnie Scott's 'Uncovered' Gig were also included in the release. The EP, entitled A Change of Seasons, was released on September 19, 1995.
In December 1996 Dream Theater played five shows on what was dubbed "The Fix for '96," where they showcased five of the songs that have been since released on FII, in addition to new arrangements of some of the classics. Following this were some springtime dates in Europe. They also released a short Christmas CD through the Fan Club, containing several songs from the Ronnie Scott's show that did not make the ACoS cut, as well as some 'inspirational' messages and advice for Caribou farmers.
Dream Theater spent a great deal of time in the studio with producer Kevin Shirley (Aerosmith, Silverchair). Between the Studio sessions and demos from Mike's basement studio, DT accumulated over two and a half hours of new material, including the evasive sequel to "Metropolis". On September 23, 1997, Falling Into Infinity was released in the US. The CD contained approximately half of the new music, but not "Metropolis II". Some of the other songs were released as B-sides or caught live at shows. Dream Theater spent the year touring in support of FII, as well as a set of large venue shows with Deep Purple and ELP. In December they released the second Fan Club Christmas CD.
1998 was the year of side projects for the band. Mike and John Petrucci collaborated with Jordan Rudess and Tony Levin on Liquid Tension Experiment, a CD considered by many to be the prog instrumental CD of the year. John also played with Derek and James on Age of Impact and James also lent his voice to Shadow Gallery's third CD Tyranny. Mike and John made plans for Liquid Tension Experiment II, and the groundwork was laid out for more 'supergroups' and side projects.
On October 27th, 1998 Dream Theater gave their fans a double dose of live music. A two disc live set taken from their European tour was released. The release of the CDs, titled Once in a LIVEtime coincided with the release of DT's second official live home video, Five Years in a LIVEtime. They wrapped up the end of the year in typical fashion by putting on a handful of shows for the upper East Coast crowd, as well as releasing their third Christmas CD through the International Fan Club.
Dream Theater started 1999 off and caught fans by surprise when they announced on January 18th that keyboardist Derek Sherinian had parted ways with the band. Most fans were happy to learn that his replacement was Jordan Rudess, an extraordinary progressive keyboardist who played live with DT shortly after Kevin left, and worked with John Petrucci and Mike Portnoy on Liquid Tension Experiment. Derek went on to form Planet X, and release a self-titled CD, and he lent his keyboard skills to Pat Torpey's Y2K. Not to be outdone, Kevin Moore released a collection of old demo songs, titled This is a Recording.
1999 saw the release of James LaBrie's solo CD, Mullmuzzler -- Keep it to Yourself, featuring Mike Mangini (formerly of Extreme) on drums and Matt Guillory (Dali's Dilemma) on keyboards. Also in 1999, Mike, James, Jordan, and Derek lent their talent to the CD Encores, Legends & Paradox on several tracks. And finally DT put a cap on 1999 with two releases to delight fans. The first was Metropolis Part 2: Scenes From a Memory, a 77 minute long concept album continuing the story of The Miracle and The Sleeper which began on Images and Words. The second release was a prize from Mike Portnoy's Dream Theater vaults. The 1999 Dream Theater International Fan Club CD featured nine studio recordings of older DT songs that did not make it onto past albums. It was Mike's way of "clearing the shelves" and starting fresh in the new millennium with the new DT lineup.
1999 also had two entries in the video category: Mike Portnoy's Liquid Drum Theater, and Jordan Rudess' Keyboard Wizardry. On sale now at your local music store (hopefully).
Dream Theater was also hard at work in the year 2000. Touring extensively in support of SFaM, DT's Metropolis 2000 live show featured a multimedia presentation to augment the album, a complete beginning to end performance of Metropolis 2, and a medley of DT songs dating all the way back to When Dream and Day Unite.
The side projects continue in 2000 as well. Derek and John Myung collaborated again on a second Platypus album, titled Ice Cycles, and Mike can be found on TransAtlantic - SMPTe, playing alongside Neal Morse (Spock's Beard), Pete Trewavas (Marillion), and Roine Stolt. Although Mike has stated that there will likely be no future Liquid Tension Experiment albums, there will be no shortage of other projects for the band to work on, including a second album from Mullmuzzler.
History Lessons |
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Do you know parts of Dream Theater's history which should be included here? Email [removed] with suggestions. |
The whole band got on very well with the Galactic Cowboys. Much like their listeners, they have very broad and varied tastes. Portnoy is a regular concert goer, and has been met at Rush and King's X concerts by people on the Ytsejam list.
For individual influences, see Section 4.
College Educated? |
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If anyone has info about where James went to college, please send it to [removed] |
They are Kevin James LaBrie (vocals), John Petrucci (guitar), Mike Portnoy (drums), John Myung (bass) and Jordan Rudess (keyboards).
Kevin James LaBrie (they dropped the Kevin because they would have otherwise confused him with Kevin Moore, and two Johns are already hard enough to deal with, says Petrucci) sang for a Canadian glam band called Winter Rose. He was selected from among 20 auditions and over 200 tapes by DT during the making of IAW.
No.
Actually, John is very soft-spoken, and in fact has only been documented as speaking twice. Once, when he said "I'm feeling kind of spooky" in the Live in Tokyo video. The second time was when he said "Excuse me" to Chris Ptacek, who was blocking his path at the DT House of Blues (Chicago) FII tour show.
John Myung's bass idols are Steve Harris and Geddy Lee.
Mike Portnoy gives his influences in this excerpt from a Daily Vault interview:
"I used to like Neal Peart but I don't really listen to him that much anymore. He was a big influence for me when I was younger. I really listen to so many different drummers I mean, Terry Bozzio, Simon Phillips, but when I listen to music I don't really listen to the drummers... I listen to the ways the songs are produced, I listen to the ways the songs are written. When I listen to music there are lots of aspects I listen to, not just the drummers."
Mike as also cited Keith Moon of The Who and John Bonham from Led Zeppelin as drum influences.
Tama Drums, Sabian Cymbals, Drum Workshop Pedals & Hi-hats, Latin Percussion, Remo Heads and Pro-Mark 420 Mike Portnoy model signature series sticks. Mike originally played Tama, changed his kit between IAW and Awake to a Mapex set, and then changed back to Tama Star Classics.
Petrucci has two groups of influences, he said in an interview, "the Steve's and the Al's." The Steve's are Steve Morse, Steve Howe, Steve Vai, and Stevie Ray Vaughan. The Al's are Alex Lifeson, Al Di Meola, and Allan Holdsworth. He also likes Pantera.
Ibanez guitars, Mesa Boogie Amps, Dimarzio Pick-ups, Dunlop Picks, Wah Pedals.
Jordan is a Julliard educated keyboardist with influences ranging from Beethoven and Chopin to ELP, pop and prog bands. He worked with Dixie Dregs, Vinnie Moore, Dream Theater and others. He and Rod Morgenstein opened for DT during a set of Christmas shows in New England, and they went on to release Rudess Morgenstein Project, an all instrumental keyboard/drum duo. In 1998 he worked with John Petrucci, Mike Portnoy, and Tony Levin on Liquid Tension Experiment. It was the success and chemistry of that all instrumental project that influenced Dream Theater's decision to hire Jordan as their new keyboardist.
According to Mike Portnoy and John Petrucci, he was released because of several things, but most importantly because he didn't fit in with the band in a few important ways. He was far older than the rest of them, had a different idea of what DT should be, and lacked ability as a frontman when performing live. There were apparently a few personality conflicts at work. Dream Theater is still in contact with Charlie. He sang at Mike Portnoy's wedding in 1994 and he was spotted at a few of the Awake tour shows.
"...in some ways it's a shock to us and in some ways, it isn't, you know. I mean, the way that they [the fans] consider us a 'family unit,' in a lot of ways, it's true because, I grew up with Kevin, like, since we were little kids and this has been our band since... whenever. We were 17, out of high school, you know, the first year in college, so it is kind of weird, not having him in the band, it's definitely strange. The only thing I can say to the fans is, you know, so far as worrying and whatnot, this is something that was going on with Kevin like, or, the way he explained it to us, for a couple of years, so he was slowly sort of stepping out of his position, and even with the writing on Awake, it's not as much of his trademark and his sound and his writing. So if they're into this album, maybe that's a good sign because it was something that was written a lot without his enthusiasm or without his input for the most part, so, it's sort of a... step to the new whatever's going to happen next. So if they like it, that's a good sign..."- John Petrucci"...he didn't tell us slowly, it was unexpected for us too. But it's just that he was thinking about it for awhile, we didn't even know that, you know? We sensed that he was a little bit distant, that maybe he was unhappy, but we never thought he would leave the band, 'cause like I said, this has been something we've been into since we were little kids or whatever. He told us right towards the end of the recording session for Awake, which was about mid-July, and that was really strange because, you know, we weren't finished recording and he told us this, so... I mean, obviously we finished up the recording of the record, but it was... I guess no time is a good time, but it seemed like a strange sort of time and we were all really shocked, you know, we were like, 'I don't understand,' you know? It's hard for me to understand because we've been pretty successful and we think this record is going to do really well for us, we hope it is, and there's a lot of things on the horizon and we've worked our entire lives to get to this point, so it's hard for me to relate to leaving that..."
"...I don't think you can pinpoint to one specific reason why he left the band, but I think basically it comes down to this... over the last couple of years, he's sort of changed the type of music that he's into, that he likes to write and he's demoing a lot of stuff where he's playing everything himself and singing himself and it's in a different style, like techno/industrial sort of style, nothing like our band... it just seems like playing with us, he wasn't able to do the type of stuff that he wanted to do and he figured he never would if he stayed in the situation, so he wanted to be true to his musical vision. I guess that was kind of frustrating with him. Maybe when we started the band and for the first couple of albums, it was the kind of stuff he really liked doing and then for whatever reason, whatever happened in his life... whatever was happening, whether it was touring or whatever, he just changed the type of stuff he was into and he no longer felt passionate, or feels passionate, about the style of music that Dream Theater plays... you know, the heavy, progressive sort of music..."
In the summer of 1995, Kevin decided to shave his head(!) and move to Los Angeles, CA to record some new material with Fates Warning drummer, Mark Zonder. These songs eventually turned into the "Chroma Key" demos and featured Kevin on keyboards/bass/vocals and Mark Zonder on drums. Kevin describes his new music as "keyboard-oriented semi-progressive rock."
Kevin recorded more "Chroma Key" songs during the last half of 1996 (with Jason Anderson on guitar, Joey Vera on bass, and Mark Zonder on drums), and mixed those songs with Steve Tushar. Kevin's website, http://www.chromakey.com, has information on acquiring Chroma Key's debut CD Dead Air For Radios which was released on February 9th, 1999 by Fight Evil Records, with national distribution provided by City Hall Records. Soundclips are also available.
Kevin also plays all the keyboards on Fates Warning's latest album, A Pleasant Shade Of Gray, which was released in April 1997. Contrary to popular belief, the keyboard parts were written by Jim Matheos, and Kevin only played them for the studio recording.
Kevin went back to work in early 1999, offering a new 6-song Chroma Key single of demos and remixes, as well as a limited edition Chroma Key screen print. He also put out a collection of demos on CD, titled This is a Recording. Kevin is working on a new Chroma Key album, and he will likely be playing keyboards on the upcoming Fates Warning album, Disconnected, due out on July 25th, 2000. Kevin is also playing keyboards on tour for a new band called On.
After working with Jordan Rudess during recording for Liquid Tension Experiment I and II, the band felt that Jordan's playing and writing style was more in tune to where they wanted to take Dream Theater as the new millennium approached.
"With the recent release of our live CD and video, it seemed the right time to close this chapter and begin a new one."
"Derek's contributions to the band both musically and personally over the last four years is something that we will always treasure, and we will all miss."
--Mike Portnoy
"I am very proud of my musical growth and contributions to the band in the last four years. I have nothing but positive thoughts and feelings towards John, Mike, James, and John. Jordan Rudess is a friend of mine and a great talent. I wish all of them the very best!"
--Derek Sherinian
Derek has released his first solo CD, titled Planet X on Magna Carta Records. His talents can also be heard on the Platypus CDs, When Pus Comes to Shove, and Ice Cycles. Some of Derek's contributions can also be heard on Encores, Legends & Paradox, and Pat Torpey's albums, Odd Man Out and Y2K.
Liquid Tension Experiment - This is a phenomenal project conceived by Pete Morticelli and Mike Varney. They wanted to put together a 'Super Group,' and who better to call than Mike Portnoy. Mike put together a list of people he would like to work with, and in the end, Liquid Tension solidified into Mike on drums, John Petrucci on guitar, Jordan Rudess of Dixie Dregs on keyboards, and Tony Levin on bass. With very little practice time, and only one week to record the entire CD, the four laid down a full length album which was mixed by Kevin Shirley and distributed on Magna Carta. Their second CD, Liquid Tension Experiment II was released in early 1999.
Explorer's Club - Another 'Super Group' CD from Magna Carta featuring James LaBrie, Derek Sherinian, and John Petrucci. Also playing on this CD are Matt Bradley of Dali's Dilemma (formerly Chaos Theory), D.C. Cooper from Royal Hunt, Bret Douglas from Cairo, and Trent Gardner from Magellan on vocals; Matt Guillory from Dali's Dilemma on keys, Steve Howe of Yes on acoustic guitar, Billy Sheehan of Mr. Big on bass, and the prolific Terry Bozzio on drums. The CD, Age of Impact, is in stores now.
Platypus - Yet another 'Super Group,' this one featuring Derek Sherinian and John Myung, along with Ty Tabor of King's X on vocals and guitar, and Rod Morgenstein of Dixie Dregs on drums. The CD, When Pus Comes to Shove, was written and recorded in 16 days, and is in stores now. Also available is Platypus' latest album, Ice Cycles.
Mullmuzzler - James LaBrie has gone solo, with a little help from Matt Guillory (Dali's Dilemma), Mike Mangini, Mike Keneally, and Bryan Beller. Mullmuzzler's first album, Keep it to Yourself is in stores, and a second album is in the planning stages.
TransAtlantic - Mike Portnoy is unstoppable. Here, he has joined up with Neal Morse (from Spock's Beard), Pete Trewavas (Marillion), and Roine Stolt (The Flower Kings). Their album, SMPTe was released in early 2000.
Also, John Petrucci and James appear on Dragon Attack: A Tribute to Queen. James sings on "Sheer Heart Attack" and "One Vision" (both of which have Mike Portnoy listed in the Additional Engineering credits), and John plays on "Another One Bites The Dust." Dragon Attack is available on DeRock Records.
In addition, Mike, Jordan, James and Derek are both slated to play on the upcoming ELP tribute album from Magna Carta. John Petrucci will be on Idiot Symphony's upcoming CD, and Derek added keys for an Alice Cooper tribute CD, Humanary Stew.
In addition to tributes, the band members have also helped out fellow musicians on their own projects. John Myung lends a hand an a Chapman Stick on Sean Malone's Gordian Knot, and Derek guests on keys on RFTC by Rocket From the Crypt. Also, James has added some guest vocals on Shadow Gallery's new CD Tyranny.
You can start by checking out the DT Member Discography. It's a small reference table I created to show who played on which CDs. It is available at http://www.gabbo.net/dt/faq/releases.html
A Vision"Scarred" was performed for the first time at the Malibu Night Club in Lido Beach, NY on December 28, 1995, and again the next night at the Birch Hill Night Club in Old Bridge, NJ.
Too Far
Space Dye Vest
Bombay Vindaloo
Moon Bubbles
Barfbag
Showdown (incorporated into Raise the Knife)
In addition to these, there are several variations of DT songs that are played live. Most notably is "Caught in Alice's Nine Inch Tool Garden", a sort of techno infused version of "CiaW". There are also versions of "Metropolis" and others with bits of songs from other artists thrown in.
The Opening Act |
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A while back, Mike Portnoy posted a huge list of bands they have toured with. If you have this list still, please email it to [removed] |
Songs marked with (*) are available on the A Change Of Seasons release. Songs marked with (+) are available on the Dream Theater International Fan Club's Christmas CD.
Ronnie Scott's Jazz Club - 1/31/95
Mike also picked up lead vocal duties during the first verse of "Anna Lee" at the February 26th, 1998 show in Brussels Belgium. The verse was followed by "Where the f--- is James!?"
Nightmare Cinema is a warped version of Dream Theater, both in name and members. It features John Petrucci on drums, John Myung on keys, Mike Portnoy on bass, Derek Sherinian on guitar, and James LaBrie still on vocals. They made several appearances during encores in Europe, and a few US dates as well, starting with the November 1st, 1997 show at the House of Blues in Chicago. The set list consists of "Perfect Strangers."
Nicky Lemons is another twisted touring extra, starring Derek Sherinian as Nicky Lemons, a lounge act.
A Change of Seasons* Also called The Golden Weight
A Late Summer Rain
A Vision
Afterlife
Another Won
Creep With Tonality %
Cry for Freedom
Death of Spock, The
Don't Look Past Me
Gates of Babylon @
Golden Slumbers *
Grab That Feel $
Killing Hand, The
March of the Tyrant
Metropolis
Mission: Impossible
O Holy Night
Resurrection of Ernie
Schizophrenia
To Live Forever
Too Far
Vital Star
Ytse Jam, The
Your Majesty
Wanted: Dead or Alive (sort of a joke)
The music was written by Dream Theater, and the lyrics were written by Kevin.
John Petrucci originally recorded this demo as a practice tape for one of his guitar students before IAW was released. The demo tracks laid down by John were recorded with guitar and a drum machine only and no added vocals. Eventually, Chris Collins, one of Dream Theater's earliest vocalists got hold of the tape and decided to add some vocals of his own to the background music. The final result is the "heliumfest" you hear on the demo.
[note: It was previously listed that Rich Kern (Kevin's old roommate and programmer for "SDV") did the vocals. Kern himself denied this in an email message and said it was Collins. There is an alternate source (the DT Tourography) that says Kern was at a DT show and admitted he did them.]
The music was written by Dream Theater. The lyrics to the song were originally written by John Petrucci. On the "Lie" single, there is an additional verse (which starts at 3:37) which was written by Kevin. This last verse was the last songwriting contribution Kevin made to the band.
According to Mike, it was about a friend of theirs who was busted for stealing and the experience he gleaned from it.
YTSEJAM is MAJESTY written backwards; it refers to their original band name in that ambiguous way instrumentals refer to things.
John does not comment on it often, but Mike Portnoy opened up in an interview about why it was written and what he thinks it's about. In the interview, Portnoy was very careful to remind the reader that he could be all wrong, but that it was not likely. Petrucci wrote it as a sort of "Twilight Zone" story about war in which the main character witnesses all these atrocities and sees the names of the dead on a wall, and then realizes it's been him this whole time causing all the atrocities... then he sees his own name on the wall. Very Rod Serling-type of stuff.
While the band admits "Afterlife" has Christian overtones, it is not a religious tune in the same spirit as the music of King's X or Parallax. In fact when the band used to play "Afterlife" live with Chris Collins, the lyrics were completely different. "Eve", the piano/guitar intro sequence used live for both "Pull Me Under" and "Learning To Live" at different times, includes a lot of voice samples from James Joyce's "A Portrait Of The Artist As A Young Man." According to sources close to Moore, "Although Eve IS named for the "Christian" concept of Eve, it was more inspired by James Joyce and their shared contempt of Christianity than anything else."
Since then, Steve Rothery and Steve Hogarth joined the band at their Uncovered gig at Ronnie Scott's. Fish was also invited to sing "In The Flesh?" at this gig but had to cancel at the last minute.
Mike Portnoy also said, "We're all really big fans. I really dig Misplaced Childhood."
This is a joke regarding a misprint in the liners of Fates Warning's Parallels. In the liners, they thank "dream theatre," a commonly made spelling mistake which Dream Theater hates.
The current explanation goes that it was inspired by Shakespeare's "Hamlet". Prince Hamlet swore vengeance on King Claudius for murdering his father, the former King, and then marrying his mother, still Queen. Hamlet's famous Soliloquy was the passage in which the conflict in Hamlet's mind is detailed, and the second verse of "Pull Me Under" coincides pretty thoroughly with it. The very end of the song James can be heard singing this line from Hamlet:
"Oh that this too, too solid flesh would melt."Furthermore, after seeing the video, in an interview, Portnoy said "Who the hell was that wolfman guy in the video anyway? We had written it based on something else entirely." Portnoy noted that while Moore did not write "PMU" about Hamlet specifically, he DID write "PMU" about what Hamlet was about. Same themes, ideas, etc.
The no-brainer explanation can be found at http://www.gabbo.net/dt/faq/dt-hamlet.html.
Nope. This sudden cut off was intentional.
Two other schools of thought have previously emerged on this subject:
Suicide is the most obvious meaning. Pretty much every verse supports the theme of a person trying to talk someone out of killing themselves. "so die another day... better to save the mystery."
Another equally valid point of view is that of mental illness, and trying to cope with it as the sufferer and/or family. "they took pictures of our dreams..."
"We decided to write a song about everything we'd been going through for the past three years - looking for a new singer, a new label & new management - just all the changes we made & all the frustrations we went through...but, have it coming from each of our four different perspectives. So, we broke it up, and said 'Okay, you take the 1st verse, you take the 2nd verse,' went away, wrote lyrics about our feelings about all the stuff we were going through, and then put it together. Then [we] wrote the chorus together. That was the 1st time we had ever done that, and it's the only song on the album where the lyrics were actually written by everybody."- Mike Portnoy on "TTT"
"Adesso che ho perso la vista, ci vedo meglio e di piu"In Ytsejam Digest 1734, Matteo Gagliolo wrote that even though these are the words seen in the video, the actual quote is "Ora che ho perso la vista ci vedo di piu," which he says translates to "Now that I have lost my sight, I can see clearer."
It's not a coincidence that LaBrie sings, "I can see much clearer now I'm blind," right before the sample.
Perhaps the only song in Dream Theater lore with more anticipation of a recorded version than "ACoS" is "Metropolis, Part II". According to the band, the song has been written and demoed once on Mike's DAT recorder. It weighs in at over 25 minutes, making it the longest DT song to date. There are no immediate plans for a studio version, although the band has hinted that we will see it on a future release. They promise that the song will be reworked with Jordan's influence rather than Derek's, since Derek was a member at the time of writing. This will allow more contributions from Jordan to the band, not to mention make the sole copy of Metropolis II with Derek on keys one of *the* most sought after recordings in DT history.
The other theory is that it doesn't actually mean anything, and it's just a neat-looking, albeit extremely common, printer's symbol.
Or maybe it's just a Vindaloo.
John Petrucci:
"Being prepared was a key element that contributed to the successful recording of Awake. Unlike our previous studio releases, this one had the benefit of hundreds of live performances shaping sounds and developing new ideas for equipment and instrumentation. This, coupled with a trusting relationship with our producers, resulted in a truer expression of creative vision. We are very pleased with this recording and excited about playing it live."
James LaBrie:
"I had a great time recording, and working with John and Duane was a pleasure because not only do they get amazing sounds, but they truly understand the music."
John Myung:
"With the recording of this album, sonically I think we've all made individual improvements. Each of us has a distinct sound, you can hear each instrument by itself and also hear how they all work together."
Mike Portnoy:
"Upon finishing the never-ending world tour for Images and Words, the five of us found ourselves bursting with creative excitement ready to explode. The shrapnel of these ideas is what you are now listening to. I feel that Awake is our most diverse and complete work to date, and I hope it is as enjoyable for you to listen to as it was for us to create."
Kevin Moore:
"I had fun experimenting with keyboard sounds with John & Duane. I'm very happy with the raw quality we came up with."
"...that actually was inspired by a story that James told me about one of his friends. He told me about one of his friends who he used to work with at a factory... James, I guess he worked with him like years & years ago. Anyway, this guy is still working at that factory & he [James] just met him like, I guess, recently, and he was talking to him about how he's got all these great benefits now and everything, but... and so that struck me as... that struck him, you know, it's kind of affected him and I thought about it too, and I was just thinking about how people kind of let life live them instead of living life sometimes, you know. And just get caught up in just being secure and having money, you know, to survive, which is a noble thing for some people. But some people don't even give themselves a chance, you know, this guy happened to be a musician who still had a dream about becoming a serious musician and making a career out of it, but it was obvious that he was never going to do anything about it. And this is kind of like a 'do something about it' song."- Kevin Moore
From what we have surmised, "6:00", of course is REALLY primarily about Kevin's thoughts about leaving the band and the indecisiveness that preceded this.
"...a person that's... it's not male or female, it could be either. And it's dealing with a person who has suppressed their feelings for so long and has finally had enough of it and feels that the only way that they can really live life to it's fullest is to live from the inside out. And that's basically what this person has come to terms with. And they're sick of society inducements and they feel the only way that they can go on with life is to live it the way they feel is the truth..."- James LaBrie
The verse goes:
Maybe I'm just Cassandra fleeting
Twentieth Century icon bleeding
Willing to risk salvation
To escape from isolation
Cassandra was a figure in Greek mythology who was the object of the god Apollo's affections. He gave her the power to tell the future, but when she would not return his love, he made it so that no one would ever believe the prophecies she gave, although they were right.
The Fleeting part comes in because she foretold the downfall of the city of Troy, but no one she told would believe her. So she knew it was going to happen, but couldn't warn anyone. 'Fleeting' means that she's trying to do something even though she knows it won't work, not 'fleeing' as in running from something.
"At the bottom of a lake, it's a hundred degrees I can't breathe" = Lake of Fire / Hell"You tell me 'bout your two more coming" = The Second Coming
"...that song is more or less just reflecting the duality that exists between a man and a woman; the spiritual side of the relationship & how they both can compliment one another."- John Myung (Japanese Radio Interview)
"It was inspired by... I was looking through a clothing catalog & saw a picture of a girl modeling this piece of clothing called a space-dye vest. And, so, I fell in love with her [laughs] for some strange reason & so the minute I did that, the minute I was just like obsessed w/this person, I was like, 'why am I doing that?' & I noticed that I was doing it a lot lately. And I think the prime reason that I was doing that, and this is what I figured out at the time, was that I had just come out of a relationship where I'd gotten dumped, basically, and so I think the situation was that I wasn't finished giving all that I was ready to give, so I was just, like, throwing it around, you know, just aiming it in different directions. It was a total case of projection. And this song is just trying to sort it out & just kind of admitting that I'm just kind of lost. So it's kind of a dark song. It was very cathartic though."
Gather ye rosebuds while ye may,See Section 7.6 for the details of the sample.
Old Time is still a-flying:
And this same flower that smiles today
Tomorrow will be dying.The glorious lamp of heaven, the Sun,
The higher he's a-getting
The sooner will his race be run,
And nearer he's to setting.That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times, still succeed the former.Then be not coy, but use your time;
And while ye may, go marry:
For having lost but once your prime,
You may forever tarry.
I The Crimson Sunrise 0:00
II Innocence 3:50
III Carpe Diem 6:54
IV The Darkest of Winters 10:08
V Another World 13:01
VI The Inevitable Summer 16:59
VII The Crimson Sunset 20:12
Many people believe that the cover is intended to be like a 3D Stereogram. If you stare at the cover and slightly cross your eyes, then the figures seem to come out from the background, and by rotating the cover left or right, one of the figures will seem to lift higher out of the water than the other.
During the FII sessions, the songs were recorded one at a time. Each member would lay down the tracks for one song, then that song would be mixed. The end result was that each song had it's own characteristics and variances that would be missing with the previous method.
The Chapman Stick is a unique electric string instrument. Instead of being plucked like a guitar, the act of fretting a note causes it to play. This means that you can play notes with both hands allowing you to play a much fuller arrangement. Emmett Chapman created this technique on a self-built guitar in the late 1960s. In subsequent years he created The Stick as the ultimate instrument for tapping technique.
For more information, try http://www.stick.com or http://www.clever.net/stick/stickwire/
John Myung plays the Stick on the songs "New Millennium" and "Take Away My Pain."
Peruvian Skies is based on an article that JP read about an abused girl in Peru, which is where the title came from.
Confirmation |
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Does anyone have an article to quote for this? |
Yes, the song was slightly rearranged for the sake of the CD. The original version -- played live at some Christmas shows before the recording of the CD -- was almost twice as long, thanks to a 4+ minute long instrumental section. This instrumental section was lifted from the song and recorded separately as "Hell's Kitchen."
Hell's Kitchen is the neighborhood in New York City where you can find Avatar Studio, the site of the recording of Falling Into Infinity.
It was written by John Petrucci in memory of his late father. The original version is a very toned down acoustic song, and is preferred by many to the version that appears on the album.
Also, during the solo Derek goes back to the "WFS" / "LtL" riff used on IAW, adding to the 're-usable riff' theory (see 6.8.1).
The spelling of eMpTyV in the liners was most likely something Mike Portnoy picked up from its common use on the Ytsejam Mailing List.
Confirmation |
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Does anyone have an article to quote for this? |
Pull Me Under"Another Day" did not make MTV's playlist, even though DT felt it had the most MTV potential. "Pull Me Under" was shot live and has received the most airplay. "Take The Time" was shot as a full-scale video production, but the song had to be shortened a lot and many unexpected edits in the song throw off the video's pace and consistency. "Lie" got regular rotation. There is no video for "Caught In a Web," contrary to what was previously thought. "The Silent Man" was shown in Europe - to our knowledge, it has not been sighted in the US on MTV. Mike Portnoy directed the video to "The Silent Man." There is also a live performance video for "The Silent Man." Again, this has only been seen in Europe.
Take The Time
Another Day
Lie
The Silent Man
Hollow Years
The words are (from the book):
--No, continued Aunt Kate, she wouldn't be said or led by anyone, slaving there in that choir night and day, night and day. Six o'clock on Christmas morning! And all for what?--Well, isn't it for the honour of God, Aunt Kate? asked Mary Jane, twisting round on the piano-stool and smiling.
Aunt Kate turned fiercely on her niece and said:
--I know all about the honour of God, Mary Jane, but I think it's not at all honourable for the pope to turn out the women out of the choirs that have slaved there all their lives and put little whipper-snappers of boys over their heads. I suppose it is for the good of the Church if the pope does it. But it's not just, Mary Jane, and it's not right.
"...he's the sort who can't know anyone intimately, least of all a woman. He doesn't know what a woman is. He wants you for a possession, something to look at, like a painting or an ivory box. Something to own and to display. He doesn't want you to be real, or to think, or to live. He doesn't love you. But I love you. I want you to have your own thoughts and ideas and feelings, even when I hold you in my arms...it's our last chance."These lines are spoken by actor Julian Sands' character, George Emerson. In this pivotal scene, he's trying to convince the woman he loves, Lucy Honeychurch (played by Helena Bonham-Carter), who is engaged to be married to someone else, that she's making a horrible mistake and that she truly belongs with him instead.
Another interesting connection between "SDV" and "A Room With A View" is that Kevin based most of the song around a chord progression that's actually from the background music in movie! It only appears a couple of times in very short sections, but it's definitely the same chord progression that Kevin used in "SDV."
This sample was taken from TV commentator Jim Hill of KCBS in Los Angeles during the O.J. Simpson police chase.
"Some people gave advice before about facing the facts, about facing reality. And this is, this without a doubt, is his biggest challenge ever. He's going to have to face it. You're gonna have to try, he's gonna have to try and, uh, and, and, and get some help here. I mean, you know, now no one can say they know how he feels..."The following is (unconfirmed) from a Conan O'Brien show:
"That's what they say that, like that in Houston, or something. They say 'yeah, it's 180 degrees, but it's a dry heat.'"These samples have been identified as being taken from the documentary "The Trouble With Evan," from a Canadian series called "The Fifth Estate":"In Houston they say that?"
"Oh, maybe not, I'm all mixed up."
"Dry until they hit the swimming pool."
Evan's stepfather: (unintelligible talking)"...I'll get up with the sun...she doesn't, she doesn't want you to sleep in...I don't care what you do, I don't care what you say, you're grounded... that door gets locked, that door gets locked at night by 9 o'clock. If you're not in this house by 9 o'clock, then you'd better find someplace to sleep...you think you can go to your mom's house and sucker her into it?..."(unintelligible talking)Irene Raceu explains that the documentary is about child abuse. As Irene explains, "The show was filmed by some researchers because the parents supposedly complained that Evan was a problem child, had all sorts of behavior problems, etc. So they set up cameras in the house for many months and filmed what went on." Sander Moes also helped to compile this information.Evan: "I can move out on my own, uhm, get a job, get my own place... I'll go to the mall whenever I like... they tell me I'm much too young..."
Mark also wrote that the male voice is Jeremy Irons' from the movie "Damage," from Louis Malle, also in 1992. Mark transcribed the passages this way:
(Jeremy Irons in Damage)Mike Portnoy also pointed out that the man and woman saying "What are you doing?" after the first verse are Robert DeNiro and Meryl Streep from the movie "Falling In Love."
The feeling that (3:23) I HAVEN'T BEHAVED AS I SHOULD. You know, what you were saying in Hartley about passion... You were right. I was distanted. I know I was.(Mary Beth Hurt in Lightsleeper)
(3:26) EVERYTHING YOU NEED IS AROUND YOU, THE ONLY DANGER IS INSIDE YOU(Jeremy Irons in Damage)
(3:34) YOU SEE, I THOUGHT YOU COULD CONTROL LIFE...
(3:39) BUT IT'S NOT LIKE THAT... There are things you...
(3:42) THERE ARE THINGS YOU CAN'T CONTROL
The low spoken parts, such as "Resistance", etc., at the beginning of the song, are Mike speaking.
The part of the song after "Goodbye" and before the now-infamous "Please Don't Go!" is a collection of lines taken from the movie "Table For Five." The voice is John Voight's.
The Missing YtseCon |
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There was a Tokyo YtseCon in Shimo-Kitazawa on May 14th, 1995. Can anyone provide more info? |
There was also a Tokyo Ytsecon on May 14th, 1995 in Shimo-Kitazawa. Can anyone give me more details...?
YtseCon II was held on December 28, 1995 at the Holiday Inn in Rockville Centre, NY, the day of a DT performance at Malibu Night Club in Lido Beach, NY. The second YtseCon was organized by Trey Allen.
YtseCon III was held on October 12, 1996 at the LaGuardia Marriott in Queens, NY, and was organized by Jeff Chew.
On April 1st, 1998, Pat Griffin replaced the FAQ with this one: http://www.gabbo.net/dt/faq/af98/
And of course, who could forget 1999's April Fool's Day entry, found at http://www.gabbo.net/dt/faq/af99/
Sometimes the best April Fools jokes are the ones that are close enough to the truth that some people actually fall for it. My apologies to those who thought the 2000 joke was for real: http://www.gabbo.net/dt/faq/af00/
FAQ you all. :)
Again, for any corrections, information, or suggestions, or if you would like to
mirror the FAQ, email me check the current official faq (see note at top of this document). :)